Bokeh            describes the rendition of out-of-focus points of light. 
Bokeh            is different from sharpness. Sharpness            is what happens at the point of best focus. Bokeh            is what happens away from the point of best focus. 
Bokeh                   describes the appearance, or "feel," of out-of-focus areas. Bokeh is not how far something is out-of-focus, bokeh is the character of whatever blur is there. 
Unfortunately              good bokeh doesn't  happen automatically in              lens design. Perfect lenses render out-of-focus points of light as             circles with sharp edges. Ideal bokeh would render each of these             points as blurs, not hard-edged circles. Mathematicians would say             the intensity distribution of the blur circles are rectangular in             perfect lenses, and good bokeh would prefer a Gaussian distribution.             This is one area in which physics doesn't mirror what we want artistically. 
Differing            amounts of spherical aberration alter how lenses render out-of-focus             points of light, and thus their bokeh. The word "bokeh" comes            from the Japanese word "boke" (pronounced bo-keh) which literally           means fuzziness or dizziness.
A            technically perfect lens has no spherical aberration. Therefore a perfect            lens focuses all points of light as cones of light behind the lens.            The image is in focus if the film is exactly where the cone reaches            its finest point. The better the lens, the tinier this point gets. 
If            the film is not exactly where that cone of light reaches its smallest             point, then that point of the image is not in focus. Then that point             is rendered on film as a disk of light, instead instead of as a point.             This disc is also called the "blur circle," or "circle            of confusion" by people calculating depth-of-field charts. In a            lens with no spherical aberration this blur circle is an evenly illuminated            disc. Out of focus points all look like perfect discs with sharp edges.            (OK, at smaller apertures where the image is in pretty good focus you            may see additional "Airy" rings around the circle, but that's           a diffraction pattern we're not discussing here.) This isn't optimal           for bokeh, since as you can imagine the sharp edge of these discs can           start to give definition to things intended to be out-of-focus. 
There            are no perfect lenses, so one usually does not see these perfect discs.
Real            lenses have some degree of spherical aberration. This means that in            practice, even though all the light coming through the lens from a point            on the subject may meet at a nice, tiny point on the film, that the            light distribution within the cone itself may be uneven. Yes, we are            getting abstract here, which is why some denser photographers refuse            to try understand bokeh.
 
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